Bollywood babes and cleavage have a long association. In the black and white era, it was all about tight blouses and see through saris. With Madhuri Dixit, thrusting what one had became a rage, thanks to the cult Dhak Dhak Karne Laga. Today, like all other things, there is an explosion in bosom exposure as well. More the merrier and it’s no longer about just the cleavage. Mallika Sherawat will tell you why and how. Here, some bust stories that are difficult to forget. It’s almost as if there is nothing else to Mallika Sherawat. It’s all about her bosom. It’s only about her bosom. It’s about the choli she wore to Cannes that looked no more than a push-up bra. It’s all about her bikinis that are best not worn at all. Remember the one beach shot from Bach Ke Rehna Re Baba where Mallika Sherawat is twirling and turning in a way that only she should be asked to explain? She is just a walking-talking advertisement of a silicon implant. And a gross advertisement at that. The world queen tried hard, very hard to be the seductress in the current rage Kajra Re. Though the till now plastic and cold beauty has come a long way, Kajra Re is no Dhak Dhak. Rai has tried all the rules in the book. The eyes did look suggestive. But what was that cleavage revealing choli all about? Especially since there isn't much to show anyway? What heaving and thrusting was she on with? What a shame in front of the Ash in Shabd, looking super sexy wearing a see through black sari with a bra blouse. Now Riya Sen has never been known for her acting. We don’t even know whether she has any acting skills at all. It’s always about her look, her clothes and more precisely, it’s about the lack of her clothes. And she has managed to look hot many times. But in the Dum Mast Mast Kalandar song from Silsilay, things seem to have gone real wrong for this Bong babe. Jumping up and down in a pink tube top, her entire anatomy seems to have gone for a complete toss. What a mess. Antara Mali and her directors have a special fascination with her cleavage. But as long as it’s just the cleavage that’s exposed, it’s fine. But what exactly happened in Gayab? The otherwise very small Mali was hidden somewhere behind her humungous breasts. The scene where she is in bed reading a book and the invisible Tusshar Kapoor is busy ogling at her is all about her bosom. So is the one where she is getting wet in front of the big water pipe. There is no face, no expression, no nothing. A repulsive explosion. Yuck. It was the most crucial scene of the film. Kajol was running fiercely in Dilwale Dulhania Le Jayenge, behind the train in which her beloved Shah Rukh Khan was standing, with his arms stretched out. There was a lot of emotion in the scene and Kajol did a brilliant job of it. But as she ran in her tight golden blouse and heavy, ornamented lehenga, (not even a bust revealing choli here) the sight wasn’t a particularly pleasing one. Perhaps the dupatta should’ve been there as well.
